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MELISA CASELLA

//
EON

from MAR DE LA PLATA - ARGENTINA

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Visual & Sonora Art.
Mar del Plata, Argentina. 1979.
Her work is developed especially from three-dimensional formats, through sculpture,
objects and facilities. During the last years he began to investigate the possibilities of sound, incorporating it as material in their productions, hand in hand with interactive installations.
She did artistic residencies in Cal Gras, Spain (Art and Territory Scholarship); PILOTENKUECHE, Germany;
Tokio Galería, Peru, the latter with the support of the National Fund for the Arts (Training Grant 2016 and Circulation and Promotion Scholarship 2019).
She received the scholarship for analysis and production of work, Mundo Dios in its first edition (2011).
It was selected to be part of the Itaú Award (2017) and the National Visual Arts Salon of
Rosario (2018)
Her works have been exhibited since 2006 in individual and group shows nationwide and international.

Since its inauguration in 2013 and until today, it has worked in the Educational Department of the Museum of Contemporary Art of the city of Mar del Plata (MAR).

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TECHNOCRISIS - Casa Intermitente. Junio 2019

TECHNOCRISIS - Casa Intermitente. Junio 2019

MELISA CASELLA. 2019.
Technocrisis.
Proyecto banda). 
Casa Intermitente. 
Band project / 2011 to present
With a static and silent background, this project that looks at the margins and falls in love with
defect, evolving towards installation, sound and interactive forms.
In its two editions under this new format (HERB and TECHNOCRISIS), it functions as a stage and
excuse for collective action, inviting the creation of unique amorphic and polyphonic compositions
every time
In each of the presentations, be with the sound elements that provide meaning depending
of the context in which they were located.
TECHNOCRISIS (Proyecto banda) - Casa Intermitente - con gente

TECHNOCRISIS (Proyecto banda) - Casa Intermitente - con gente

Reproducir video
Curso de milagros
melisacasella

Curso de milagros

MELISA CASELLA. 2019.
This piece was placed in SILENCE, a space-stained glass window located on the public highway that works as support of visual / sound projects.
In this case I worked with elements of the everyday order, with a strong biographical burden in both dimensions, thus configuring a kind of intimate ritual act that could be experienced fro three possible sound atmospheres.
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