Sergio Sánchez is a Sound artist dedicated since 2005 to the investigation of sound in social environments and its treatment as a primary documentary source for preservation and historical study. Diploma in sound and audiovisual heritage from the ILCE (Latin American Institute of the Educational Community). He presides over the Intonarumori Association, dedicated to the dissemination of sound art and experimental music in the Region of Murcia, publishing through the Edictoralia editorial the first Spanish edition of the essential "Deep Listening" by Pauline Oliveros. He manages the experimental music record label República Ibérica Ruidista and the Sonar Históricamente phonographic project. He has presented his sound work at La Casa Encendida, Sound-In at the Estampa Festival, the Andalusian Center for Contemporary Art (CAAC in Seville), the Museum of Modern Art in Buenos Aires, La Casa Pintada de Mula, Clasijazz (Morada Sónica Cycle) , and the Reina Sofía Museum.

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He has published music on numerous national and international labels with different heteronyms: Jazznoize, Red Kite, Mary X, Mao Sound System, Infraloop. 

 

At the end of 2020 he will participate with a communication in the XXVI Conference of Cultural Heritage of the Region of Murcia. He has also collaborated in international projects for the dissemination of attentive listening and phonography, such as the World Listening Day and the Mexican Listening Office. He has published articles in the digital magazines Sul Ponticello and Canino.